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DTSTART;VALUE=DATE:20260531
DTEND;VALUE=DATE:20260615
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CREATED:20240120T155546Z
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SUMMARY:Contemporary Maiolica: "Neo Istoriato" with Lindsay Montgomery
DESCRIPTION:This two-week workshop is designed for all skill levels from complete beginner to advanced ceramic makers. It will focus on exploring the ancient Italian renaissance ceramic technique of tin-glazed earthenware\, or Maiolica. While housed at the ICA students will have the opportunity to work with ancient clay materials\, to explore the use of figuration\, and myth and allegory on tiles or small vessels. Through studio exploration\, group lectures and discussions\, as well as the unique opportunity to view and study Italian Maiolica in some of its most famous centers for manufacturing in Deruta and Orvieto\, students will create objects that continue and expand upon the rich traditions of tin-glazed pottery and narrative\, illustrative approaches to self-expression. \n \nParticipants will be housed in the remarkably well-preserved Umbrian hill town of Monte Castello di Vibio. Your workshop package is all-inclusive\, providing welcome and departure services and airport transfer from the Rome Fiumicino\, Leonardo Da Vinci Airport (FCO). Aboard our comfortable private bus\, single occupancy accommodations with shared bath (a wide range of upgrades with private bath are available)\, 3 meals per day Monday-Thursday\, Prosecco brunch and dinner on Saturday and Sunday (no meals are served on Friday\, our excursion day. Your workshop includes one excursion per week and many additional options are available on weekends for an additional fee. Of course\, 24/7 access to facilities and 24/7 bi-lingual support are provided. \n.
URL:https://icaitaly.ocglabs.com/event/lindsay-montgomery-majolica-italy/
LOCATION:International Center For The Arts\, Monte Castello di Vibio\, Umbria\, 06057\, Italy
CATEGORIES:Clay Studio: Ceramics,Workshops
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DTSTART;VALUE=DATE:20260531
DTEND;VALUE=DATE:20260615
DTSTAMP:20260415T185414
CREATED:20250807T165242Z
LAST-MODIFIED:20251124T180609Z
UID:10000276-1780185600-1781481599@icaitaly.ocglabs.com
SUMMARY:Portrait Mastery in Umbria: A Two-Week Classical Realism Intensive with Constance Ramsey Bowden & Karen Warshal
DESCRIPTION:Fueled by a new interest in the individual\, the birth of the Renaissance in Florence in the 15th century brought a rebirth of the long dormant art of Portraiture. What better place to study the art of Portraiture than in Monte Castello di Vibio\, just a stone’s throw from that extraordinary city? \nThis comprehensive two-week workshop offers a unique opportunity to study classical realist Portraiture in both two and three dimensions under the expert guidance of renowned sculptor Constance Ramsey Bowden and acclaimed painter Karen Warshal. \nWorkshop Focus \nWorking from live models in an intimate studio setting\, students will explore the fundamental principles of portrait creation across three classical mediums: drawing\, painting\, and sculpture. This intensive program emphasizes the essential building blocks of representational art\, making it ideal for both beginners seeking solid foundations and more seasoned artists looking to refine their skills. The small class size ensures ample individual instruction for each student. \nClass Structure \nStudents will draw or paint the model in the morning. After lunch\, students will sculpt the same model in water based clay. Models will maintain the same pose for the duration of the workshop. \nCurriculum Highlights \n\nAnatomical Foundation: Master the underlying structure of the head and facial features through detailed anatomical study.\nSculptural Techniques: Learn to capture likeness and character in clay\, from initial armature construction through finished portrait.\nDrawing Fundamentals: Learn to identify the shapes and planes specific to each individual model as you develop accuracy in line\, proportion\, form and value.\nPainting Principles: Understand color theory and color mixing\, leading to more accurate skin tones. Practice effective paint application\, including brushwork\, glazing and treatment of edges.\n\n* Design Elements: Explore the principles of traditional design inherent in each portrait. \n\nObservational Skills: Strengthen your ability to see and translate three-dimensional form onto two-dimensional surfaces.\n\n Cultural Immersion Beyond the Studio \nStudents will journey to the artistic heart of Renaissance Italy with guided excursions to Rome and Florence. These field trips will serve to deepen students’ understanding of the skills and concepts they’re learning in the studio. In addition\, they’ll come to appreciate the history of Portraiture itself and its place in the overall history of art. \nFlorence: visit to the world class Palazzo Pitti\, including the Galleria Palatina and the Gallery of Modern Art. The Palatina features some of the greatest paintings of the Renaissance and Baroque periods\, while the Moderna hosts masterpieces of traditional art from the 19th century. \nRome: visit to the Musei Capitolini complex\, filled with many of the finest Roman copies of Greek sculptures in existence. \nWeekends \nWeekends are reserved for relaxing and recharging\, with optional visits to nearby towns such as Deruta and Todi. Open model time will also be available for those interested. \nJoin us for this unique experience in Monte Castello di Vibio\, where life is always just a little bit magical! \n \nIncluded in the price \nTransfer to and from airport on designated pick-up and drop off dates* \nTransportation for excursions to Florence and Rome \nEntrance fees to Palazzo Pitti e Musei Capitolini \nAll class instruction \nAll meals except for lunch and dinner on the days of our field trips to Florence and Rome \nAccommodations in single room with shared bath in the Asilo. (One “matrimoniale” room is also available.) \nPrivate tour of the Teatro della Concordia \nClay and armatures for sculpture \n \nNot included in price \nOptional excursions on weekends \nHousing upgrades to private room with bath or entire apartment (see options below) \n*Pick-up and drop-off at Fiumicino airport on days other than those designated. For those arriving at a different time\, an additional charge will be added. \n \n \nAbout the food \nDelicious meals are lovingly prepared by our expert chefs\, Cristiano and Loris. Featuring traditional Umbrian cuisine and always using the freshest ingredients purchased daily\, Cristiano and Loris work hard to please everyone\, honoring dietary restrictions and food preferences. Breakfast (buffet) and lunch are served indoors\, while dinner is held on the scenic rooftop terrace overlooking the valley surrounding Monte Castello di Vibio. To say that this is a breathtaking venue and an extraordinary experience would be an understatement. \n \n \n \n \n \n \n \n \nClass Schedule \nMonday\, Tuesday\, Thursday\, Friday (of both weeks): \n9:30-1:00 class (drawing/painting) \n1:00-2:00 lunch \n2:00-2:30 rest \n2:30-6:00 class (sculpture) \nWednesdays: field trip Saturdays\, Sundays: optional field trips\, optional model time\, free time \n \n \nA PERSONAL NOTE FROM CONSTANCE AND KAREN TO YOU\, OUR POTENTIAL STUDENTS: \nWe’ve designed this program with the goal of maximum learning because\, as teachers\, that’s our responsibility and it’s also who we are. But remember that this is YOUR special experience and it needs to meet your needs. This is an intensive program\, so if you’re tired\, take a rest. If you miss an hour or even a session\, the world won’t come to an end. \n \n
URL:https://icaitaly.ocglabs.com/event/portrait-mastery-in-umbria-a-two-week-classical-realism-intensive-with-constance-ramsey-bowden-karen-warshal/
LOCATION:International Center For The Arts\, Monte Castello di Vibio\, Umbria\, 06057\, Italy
CATEGORIES:Clay Studio: Ceramics,Visual Arts,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260614
DTEND;VALUE=DATE:20260622
DTSTAMP:20260415T185414
CREATED:20240107T200435Z
LAST-MODIFIED:20250918T175449Z
UID:10000203-1781395200-1782086399@icaitaly.ocglabs.com
SUMMARY:Human Anatomy Intensive - ICA 2024 Renaissance Series
DESCRIPTION:The study of human anatomy in Italy is a long and distinguished tradition. The extraordinary anatomical theatres in medical schools at the University of Padua and the University of Bologna bear witness to this history and were among the first of their kind in existence. Even today\, we marvel at the accuracy and lifelike intensity of the 17 th c. wax anatomical models in the Specola Museum in Florence\, which were made to allow medical students to observe venous\, muscular\, and skeletal systems without a cadaver. In this regard\, the study of anatomy in Italy has profoundly impacted not only our understanding of the human body\, but also the study of medicine in the western world. \nSurprisingly\, this history also reveals much about the significance of the role of visual art in furthering science and medicine. In his brilliant series of lectures at the Art Students League in New York\, artist\, anatomist\, and scholar\, Robert Beverly Hale once said: “science had actually sprung from art\, that it had developed in those great periods when artists had looked at nature very closely and carefully\, and had tried to record exactly what they saw. That\, what we explained\, was what scientists have been doing ever since.” \nTo support Hale’s observation one need look no further than Leonardo’s anatomical studies. These drawings are incredible not only for their accuracy and beauty as works of art\, but also as a highly accurate analysis of function\, of what anatomist George Bridgeman referred to as “the human machine.” Leonardo is perhaps unequalled in his analysis of the form of the human body as a manifestation of the interrelationship of functioning systems. It is known\, for example that Leonardo once injected the heart of an ox with hot wax\, then made a glass model of the casting. He then pumped the model with water to analyze the circulation of fluids in the human heart. Incredibly\, Leonardo’s conclusions were not fully corroborated by cardiologists until the 1980’s. \nThe objective of our Human Anatomy intensive is to follow in this tradition. Thus\, we will not only identify anatomical structures of the human body\, but we will also analyze the function of those structures and their effect on its outward form. Throughout the workshop\, we will reference functional systems in understanding their manifestation in surface anatomy of the figure. \nOur focus will be on the skeletal and muscular systems\, with some analysis of the major arteries of the venous system. We will work from a variety of sources\, including real human skeletons as well as drawing from our collection of anatomical models and plaster casts. Our medium in the course will be various drawing media in large-format sketchbooks as a means of note taking for the course. \nOur approach will be in the form of lectures and hands on drawing focusing first on the skeletal system. We will draw from real human skeletons as well as anatomical models. We will explore one area of the body at a time\, first in analyzing the skeletal structure of the torso. Afterward\, we will move on to the head\, arms\, and legs\, as well as hands\, and feet. Participants will produce life-sized drawings with charcoal on heavy paper as well as drawings in sketchbooks of details such as joint articulations. \nAfterward\, the course will focus on the muscular system first through lecture and note-taking then by drawing from anatomical models\, plaster casts\, and the live model\, in the same order. However\, we will in exploring the muscular system we will utilize tracing paper and colored pencil\, in order to add layers of muscles over our previous skeletal drawings. \nIn addition to the intensive schedule of daily drawing and lecture\, we will make an excursion to the famed Specola Museum in Florence where we will draw from their collection of 16 th to 18th c. wax anatomical sculptures. The incredibly lifelike flayed figures are shockingly lifelike - at once factual and at the same time\, powerfully expressive. Here\, the wax models will provide an overview of the skeletal and muscular systems as well as an introduction to the venous system. \n \nThroughout the workshop\, participants will be housed in the remarkably well-preserved Umbrian hill town of Monte Castello di Vibio. Your workshop package is all-inclusive\, providing welcome and departure services and airport transfer from the Rome Fiumicino\, Leonardo Da Vinci Airport (FCO). Aboard our comfortable private bus\, single occupancy accommodations with shared bath (a wide range of upgrades with private bath are available)\, 3 meals per day Monday-Thursday\, Prosecco brunch and dinner on Saturday and Sunday (no meals are served on Friday\, our excursion day. Your workshop includes one excursion per week and many additional options are available on weekends for an additional fee. Of course\, 24/7 access to facilities and 24/7 bi-lingual support are provided.
URL:https://icaitaly.ocglabs.com/event/human-anatomy-intensive-ica-2024-renaissance-series/
LOCATION:International Center For The Arts\, Monte Castello di Vibio\, Umbria\, 06057\, Italy
CATEGORIES:Humanities,Visual Arts,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260621
DTEND;VALUE=DATE:20260629
DTSTAMP:20260415T185414
CREATED:20240110T214802Z
LAST-MODIFIED:20251124T164718Z
UID:10000210-1782000000-1782691199@icaitaly.ocglabs.com
SUMMARY:Oil Painting Techniques of the Northern Renaissance
DESCRIPTION:Oil painting developed in Northern Europe early in the 15th c. and Italian painters of the next generation quickly adopted the medium to their own unique vocabulary. Antonello di Messina is generally credited with the introduction of oil painting to Italy and more specifically\, to Venice. Artists such as Giovanni Bellini\, as well as Leonardo further expanded the expressive potential of the medium. The processes that these artists developed consequently influenced the whole history of Western Art. \nThis workshop will follow their methods. Working from reproductions participants will use materials of the time\, prepared by hand in a traditional way. Beginning on a wooden panel\, prepared with rabbit skin glue and chalk gesso\, participants will transfer their perforated drawings with charcoal and a pounce\, then develop a wash drawing with genuine sepia ink\, followed by an imprimatura – a colored “veil” - that establishes a tonality and a very useful neutral color. From here\, oil paint ground in class will be used to develop the underpainting. Afterwards\, rich glazes of transparent colors made primarily from pigments produced in in our Pigments and Paint Workshop. \n \nThroughout the workshop\, participants will be housed in the remarkably well-preserved Umbrian hill town of Monte Castello di Vibio. Your workshop package is all-inclusive\, providing welcome and departure services and airport transfer from the Rome Fiumicino\,Leonardo Da Vinci Airport (FCO). Aboard our comfortable private bus\, single occupancy accommodations with shared bath (a wide range of upgrades with private bath are available)\, 3 meals per day Monday-Thursday\, Prosecco brunch and dinner on Saturday and Sunday (no meals are served on Friday\, our excursion day. Your workshop includes an excursion to Perugia. Of course\, throughout your stay\, 24/7 access to facilities and 24/7 bi-lingual support are provided. \nPrice of the workshop includes all materials needed to produce the painting described above\, except brushes\, which will be available for sale at ICA in Italy. While it is unlikely that the painting will be completed in the timeframe allowed by the workshop\, our goal is to give participants a sufficient understanding of the Northern Renaissance process in order to complete the painting at home. As part of the course fee\, participants will be issued a unique case for the painting that allows the painting itself to be folded into a carry-on luggage-sized parcel even if not fully dry.
URL:https://icaitaly.ocglabs.com/event/renaissance-oil-painting-techniques/
LOCATION:International Center For The Arts\, Monte Castello di Vibio\, Umbria\, 06057\, Italy
CATEGORIES:Visual Arts,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260621
DTEND;VALUE=DATE:20260629
DTSTAMP:20260415T185414
CREATED:20250304T214241Z
LAST-MODIFIED:20251116T171646Z
UID:10000267-1782000000-1782691199@icaitaly.ocglabs.com
SUMMARY:How to Bring an Animal Sculpture to Life with Nick Mackman
DESCRIPTION:Our in-depth animal sculpture workshop will allow you to immerse yourself in your art. Nick will demonstrate the importance of observation\, show you how to make an emotional connection with your subject and realize your own creative vision. Our extended workshop format allows plenty of time for instruction and practical work. \nUnder Nick’s expert guidance\, you will make your own animal sculpture. Combining a mix of one-to-one and group demonstration and tuition\, Nick will teach you building techniques and help you hone your modeling skills. No prior experience is needed and all the tools and materials you’ll need are provided. \nParticipants will be housed in the remarkably well-preserved Umbrian hill town of Monte Castello di Vibio. Your workshop package is all-inclusive\, providing welcome and departure services and airport transfer from the Rome Fiumicino\, Leonardo Da Vinci Airport (FCO). Aboard our comfortable private bus\, single occupancy accommodations with shared bath (a wide range of upgrades with private bath are available)\, 3 meals per day Monday-Thursday\, Prosecco brunch and dinner on Saturday and Sunday (no meals are served on Friday\, our excursion day. Your workshop includes one excursion per week and many additional options are available on weekends for an additional fee. Of course\, 24/7 access to facilities and 24/7 bi-lingual support are provided. \n \n \nA Note to Participants: \nWhen packing: \n\nPlease bring no solvents or flammable or perishable materials. \n\nMaterials to bring from home: \n\nPacking Materials including: 3 x newspapers for sculpture and packing material such as bubble wrap\nSturdy shopping bag to take sculpture in carry-on luggage on flight home. Sculpture weight 2-5kgs\nAnimal Subject References: You should decide in advance what animal you would like to model and research photos showing different views of your subject in the desired pose. Remember that sculpture is three dimensional\, so you will need good information about your animal from all directions. If you’re a beginner\, we recommend you choose an animal you know well and a non-standing pose. Bringing the info on an Ipad is preferable\nWhen returning: Please bear in mind that you will be returning with your sculpture as Carry-on luggage. Participants should be warned that shipping anything to or from Monte Castello can be extremely problematic due to complications with Italian Customs. Please DO NOT plan on shipping your sculpture.
URL:https://icaitaly.ocglabs.com/event/nick-mackman-animal-sculpture-italy/
LOCATION:International Center For The Arts\, Monte Castello di Vibio\, Umbria\, 06057\, Italy
CATEGORIES:Humanities,Visual Arts,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260628
DTEND;VALUE=DATE:20260713
DTSTAMP:20260415T185414
CREATED:20240110T215534Z
LAST-MODIFIED:20251124T171028Z
UID:10000211-1782604800-1783900799@icaitaly.ocglabs.com
SUMMARY:Oil Painting Secrets of the Venetians
DESCRIPTION:In the 14th c. Sicilian painter\, Antonello di Messina brought the new medium of oil painting to Italy. In his travels\, he brought the medium to Venice\, where artists such as Giovanni Bellini\, adopted\, and expanded the expressive potential of the medium. Perhaps one of the most influential painting teachers in history\, Bellini’s pupils included some of the greatest figures in the history of the medium: Titian\, Tintoretto\, and Veronese. Their often huge\, operatic paintings mark a kind of crowning achievement for the medium\, and the processes they developed consequently influenced other great artists and schools of art that included Caravaggio\, Rembrandt\, Velazquez and countless others who have followed in their path. \nThis workshop will follow the oil painting methods of the great Venetian masters. Working from reproductions\, participants will reproduce easel-sized works of the Venetian school of the 16th-18th c. They may also choose to copy a detail from larger Venetian masterworks. To as great an extent possible\, students will use the same materials of 15th and 16th c. Venetian artists\, many of which will be prepared by hand in class\, according to traditional recipes. \nBeginning on a uniquely coarse\, stretched canvas (approximately 36” x 30”) prepared with rabbit skin glue and white lead\, participants will apply a colored ground. This rich\, colored surface establishes an overall\, atmospheric tonality\, that also functions as a very useful neutral color. This then\, serves as the basis for the serendipitous approach to color and the remarkable atmospheric effects that are unique to this school of painting. \nOn this rich surface\, participants will transfer perforated drawings with charcoal and a pounce as was done in this time. Afterward\, earth colors\, carbon black\, and white lead ground in oil will be prepared by the class. With these basic colors\, an underpainting will be developed using alternating layers of washes and thick impasto areas of white lead. Afterward\, rich layers of transparent colors made primarily from pigments produced in in our Pigments and Paint Workshop will be applied. In the process\, students will develop an understanding of the important terms\, glaze (a dark\, thinned color over a lighter surface) and scumble (a thin layer of white lead) as they seek to reproduce the sumptuous color and dramatic brushwork characteristic of the Venetian School. \nDuring the class participants will have the unique opportunity to see remarkable examples of work by the Venetian masters in person during our excursion to the Pitti Palace in Florence. \nThroughout the workshop\, participants will be housed in the remarkably well-preserved Umbrian hill town of Monte Castello di Vibio. Your workshop package is all-inclusive\, providing welcome and departure services and airport transfer from the Rome Fiumicino\, Leonardo Da Vinci Airport (FCO). Aboard our comfortable private bus\, single occupancy accommodations with shared bath (a wide range of upgrades with private bath are available)\, 3 meals per day Monday-Thursday\, Prosecco brunch and dinner on Saturday and Sunday (no meals are served on Friday\, our excursion day. Your workshop includes an excursion to Florence. Of course\, throughout your stay\, 24/7 access to facilities and 24/7 bi-lingual support are provided. \nPrice of the workshop includes all materials needed to produce the painting described above\, except brushes\, which will be available for sale at ICA in Italy. While it is unlikely that the painting will be completed in the timeframe allowed by the workshop\, our goal is to give participants a sufficient understanding of the Venetian process in order to complete the painting at home. As part of the course fee\, participants will be issued a unique folding stretcher that allows the painting itself to be folded into a carry-on luggage-sized parcel\, even if not fully dry.
URL:https://icaitaly.ocglabs.com/event/oil_painting_secrets/
LOCATION:International Center For The Arts\, Monte Castello di Vibio\, Umbria\, 06057\, Italy
CATEGORIES:Visual Arts,Workshops
ATTACH;FMTTYPE=image/jpeg:https://icaitaly.ocglabs.com/wp-content/uploads/2023/06/Titian_Bacchus_and_Ariadne-2-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260705
DTEND;VALUE=DATE:20260713
DTSTAMP:20260415T185414
CREATED:20240110T213620Z
LAST-MODIFIED:20250920T112945Z
UID:10000209-1783209600-1783900799@icaitaly.ocglabs.com
SUMMARY:Pigments and Paint: A Cooking Class for Artists - ICARTS 2026 Renaissance Series
DESCRIPTION:A hands-on workshop on producing painting and drawing materials according to historical methods. The intensive\, week-long workshop is ideal for painters interested in gaining greater familiarity with their materials\, academics and teachers interested in curricular development\, art historians\, and people interested in developing a deeper understanding of traditional works. \nBorn in 1360\, painter Cennino d’Andrea Cennini\, left a remarkable legacy\, beyond that of his surviving works. \nA student\, of a student\, of Giotto\, Cennino left of us a remarkable and intimate record of the life and working processes of a painter in his time. His book is called\, il Libro del’Arte\, simply\, “The Book of Art.” It provides insights into the training of the artists of his time\, as well as that of the next generations of artists in Italy. Incredibly\, this included some of the greatest figures in the history of Western painting: Masaccio\, Fra Angelico\, Leonardo\, Botticelli\, Michelangelo\, and Raphael among others. To the reader of today\, Cennini’s text provides the remarkable opportunity to participate in this legacy. \nOn a practical level\, Cennini’s book is also a very useful guide to the production of pigments\, paints\, painting surfaces\, and other materials of the medieval and Renaissance artist. In this however\, it also reveals something larger than that of a recipe book. It speaks to a very special connection between artists and the materials they choose. Often\, that connection resulted from artists making their materials themselves\, by hand. Indeed\, Cennini refers lovingly to the rare\, almost spiritual beauty of\, ultramarine blue to the easy\, sensual qualities of a charcoal black as well as to their sometimes\, tempestuous personalities of materials like\, dragon’s blood! \nWhat is revealed is a unique connection to the materials of the artist\, in which all elements have significance. As translator\, Daniel Thompson describes\, “A very choice black was\, and still is\, made from peach stones; and almond shells were sometimes charred to produce another sort. To the outsider all these blacks would seem very much alike; indeed\, they would probably be quite indistinguishable. But a painter of the medieval kind becomes familiar with the little quirks of personality in his pigments\, and is affected by small subtleties which it is hopeless to try to define\, subtleties not so much of color as of working quality\, how the pigment feels\, how it mixes\, whether it tends to settle out of a color mixture\, or stays nicely in suspension\, and little things like that.” These “little things” can indeed have big effect to the artist who remains sensitive to the qualities of their materials\, creating a bond that becomes a language of its own. \nWe will use Cennini’s book as a basis for our exploration of making pigments and paints. Guided by the experience of our staff\, in collaboration with our long-time supplier\, Kremer Pigmente\, and the advantage of modern chemistry and production methods\, we will embark on a historical overview of pigments used by artists throughout the ages - actually\, making many pigments from raw ingredients. We will observe sometimes miraculous transformations in color\, creating beautiful and luscious pigments that will last …forever. We will then turn these colored particles into a variety of paints\, pastels\, and charcoal. Our goal will be to produce the following materials which participants will take home with them at the end of the workshop: \n20 g. Jars of pigment as follows: \n\n\n\n3 natural iron oxide (earth colors)\n3 calcined (burnt) native earths\nCarbon black\n\n\n\n3 ml. Jars of pigment as follows: \n\n\n\nDye colors: carmine\, sap green\, madder red\, and indigo\n\n\n\nInks as follow: \n\n\n\n\n\nSumi ink sticks\, Bistre ink\, Sepia Ink\, Iron gall ink\, Walnut ink\nAlso: Quill and reed pens\n\n\n\n\n\n50 ml tubes of oil colors as follows: \n\n\n\nTitanium white\nYellow ochre\nRed ochre\nGreen umber\nPrussian blue\nLamp black\n\n\n\n20 ml jar of \n\n\n\nCopper-resinate green\n\n\n\nWatercolors in natural mussel shell\, as follows: \n\n\n\nGamboge\nCarmine\nMadder Red\nUltramarine blue\nSap green\nPastels as follow:\nTitanium white\nYellow ochre\nRed ochre\nGreenish umber\nUltramarine blue\n\n\n\nPastels as follow: \n\n\n\nTitanium White\nYellow ochre\nRed ochre\nGreenish umber\nUltramarine blue\n\n\n\n \nIn doing so\, we will understand the processes of levigation\, grading for optimal particle size\, grinding\, precipitation of lake colors\, and many other processes. We will also make surfaces to be used in a variety of aqueous\, solvent-based\, and dry applications. At the end of the workshop\, an excursion to the National Gallery of Umbria in Perugia\, will provide real examples from Cennini’s time and later\, which will illustrate both the beauty and the permanence of these materials. \nParticipants will be housed in the remarkably well-preserved Umbrian hill town of Monte Castello di Vibio. Your workshop package is all-inclusive\, providing welcome and departure services and airport transfer from the Rome Fiumicino\, Leonardo Da Vinci Airport (FCO). Aboard our comfortable private bus\, single occupancy accommodations with shared bath (a wide range of upgrades with private bath are available)\, 3 meals per day Monday-Thursday\, Prosecco brunch and dinner on Saturday and Sunday (no meals are served on Friday\, our excursion day. Your workshop includes one excursion per week and many additional options are available on weekends for an additional fee. Of course\, 24/7 access to facilities and 24/7 bi-lingual support are provided. \nAll materials for the class and the excursion are included in the cost of the workshop.
URL:https://icaitaly.ocglabs.com/event/pigments-and-paint/
LOCATION:International Center For The Arts\, Monte Castello di Vibio\, Umbria\, 06057\, Italy
CATEGORIES:Visual Arts,Workshops
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260705
DTEND;VALUE=DATE:20260720
DTSTAMP:20260415T185414
CREATED:20251113T235845Z
LAST-MODIFIED:20251115T144530Z
UID:10000279-1783209600-1784505599@icaitaly.ocglabs.com
SUMMARY:Sculpting the Human Figure with Zoe Dufour
DESCRIPTION:In this course\, we will sculpt a 24” tall portrait bust\, with the upper torso\, using contemporary hand building techniques informed by Renaissance and 19th century sculpting practices. We will sculpt from a live model\, focusing on the large masses of the body\, and how they move in concert together to form a clear gesture. Our approach is based around close observation\, and an emphasis on anatomical structure and form relationships. Students will learn how to think three-dimensionally\, judging likeness with volume and mass. \nThe class will cover basic anatomy\, and how to use proportional cannons or measuring systems to sculpt a well-proportioned figure at any scale. We will cover basic “block-in” technique\, learning how to accurately establish the large relationships of the figure\, before moving on to modeling and finishing techniques for clay. \nWe will be slab building pieces that can be fired at the end of class\, so students can go home with a finished sculptural vessel. The class will include sculpting demonstration\, constructive critiques\, and lecture. No experience is necessary\, teaching will be tailored to individuals and students will return home with a finished sculptural vessel. \nIncluded in the cost of the course are day trips to Deruta/Assisi and Orvieto. \nOn our Deruta/Assisi trip\, we will start the day at the Santuario della Madonna dei Bagni\, a sanctuary constructed around a tree where an apparition of the Virgin Mary appeared to a shepherd\, distraught over his wife’s grave illness. According to legend\, he prayed to the Virgin and his wife was cured. For centuries afterward\, pilgrims have come to the church to pray for loved ones who were injured or ill. Later\, in gratitude some donated a votive majolica plaque commemorating the accidents and illnesses from which victims were saved through the intercession of the Virgin. What remains is an intimate and moving glimpse into the lives and struggles of individuals who sought spiritual intervention in times of need throughout centuries. \nMoving on to Deruta\, we will tour several local ceramics studios who work in the maiolica tradition\, and visit the extraordinary\, Museo Regionale Della Ceramica di Deruta. We will next travel to Assisi to visit Basilica of Saint Francis of Assisi\, decoratedwith frescoes by Cimabue\, Giotto\, Simone Martini\, Pietro Lorenzetti\, and possibly Pietro Cavallini. The range and quality of the works give the basilica a unique importance in demonstrating the outstanding development of Italian art of this period. \nFinally\, we will visit Spello\, to see the astounding frescos by Pinturicchio in the Cappella Baglioni\, as well as the mosaic work in Villa de Mosaici\, a beautifully preserved Roman Villa with mosaic floors from the imperial era. Before returning to Monte Castello\, we will have dinner that includes a wine tasting\, and enjoy the region’s famous terroir. \nOur second trip will be to Orvieto here we will see the cathedral\, full of rich architectural ornament\, mosaics\, and the beautiful fresco Cycle in the San Brizio Chapel\, begun by Fra Angelico\, and finished by Luca Signorelli\, Michelangelo’s forerunner in painting. We will also visit the The Pietà Ippolito Scalza\, 1579 Duomo of Orvieto\, Italy. For wine enthusiasts\, there will be many available options for sampling some of the best wine in Italy. Afterward we will have dinner in Orvieto\, which will feature a tasting of several of the Regions excellent wines. \nParticipants will be housed in the remarkably well-preserved Umbrian hill town of Monte Castello di Vibio. Your workshop package is all-inclusive\, providing welcome and departure services and airport transfer from the Rome Fiumicino\, Leonardo Da Vinci Airport (FCO) aboard our comfortable private bus\, single occupancy accommodations with shared bath (a wide range of upgrades with private bath are available)\, 3 meals per day Monday-Thursday\, Prosecco brunch and dinner on Saturday and Sunday (no meals are served on Friday\, our excursion day. Your workshop includes one excursion per week and many additional options are available on weekends for an additional fee. Of course\, 24/7 access to facilities and 24/7 bi-lingual support are provided. Materials for the course will be available in the ICA Art Supply store in Monte Castello. \n
URL:https://icaitaly.ocglabs.com/event/zoe_dufour_italy/
LOCATION:International Center For The Arts\, Monte Castello di Vibio\, Umbria\, 06057\, Italy
CATEGORIES:Visual Arts,Workshops
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260920
DTEND;VALUE=DATE:20261005
DTSTAMP:20260415T185414
CREATED:20251127T222052Z
LAST-MODIFIED:20251127T222052Z
UID:10000288-1789862400-1791158399@icaitaly.ocglabs.com
SUMMARY:Staging the Narrative with Kirsten Stingle
DESCRIPTION:Staging the Narrative: Creating a Bust that Acts as a Narrative Platform. Ceramic Hand building with Ceramic and Cold Finishes \nInspired by Monte Castello di Vibio's Teatro della Concordia (the smallest Italian style theater in the world) and grand theatrical vision of La Scarzuola\, let's explore the drama of the human narrative! During this retreat Kirsten will guide the class to build a 3/4 life size head that can hang on the wall or sit on a table. Kirsten has a step-by-step approach to figurative ceramics that is easily accessible\, even for the beginner. Her class demonstrations and hand-outs are followed-up with individual tutorials\, enabling her to help each student achieve their narrative vision. \nAfter the build\, Kirsten will explore the potential of adding layers of texture before firing. Post-firing\, Kirsten will guide the class in using cold finishes to mimic\, complement\, or enhance ceramic finishes. She will share her techniques as well as encourage experimentation and play with different mediums. Participants will walk away with a stronger knowledge of human anatomy and the narrative value of expression\, as well as an approach for finishing their works that is layered and complex. Finished sculptures will be able to be packed in a carry-on suitcase for travel and transportation convenience. \nIn addition\, participants will enjoy several excursions to nearby Umbrian towns such as Perugia\, Spoleto or Todi to explore the history and art that shines in the green center of Italy. Participants will be housed in the remarkably well-preserved Umbrian hill town of Monte Castello di Vibio where you can wonder its quiet streets and enjoy the vistas of the valley and other hill towns. Explore the history of this medieval village and experience the jewel-box of a theater that is one of the smallest theaters in the world.\nYour weekend is free to catch up on studio work\, relax\, or take advantage of the other sites or activities in Umbria. These additions can be arranged through ICArts for an additional fee. This class is for ALL LEVELS: whether you have never touched clay but yearn to stretch your creative potential\, or if you are a seasoned ceramicists that want to add a few new techniques to your toolbox. \n \nParticipants will be housed in the remarkably well-preserved Umbrian hill town of Monte Castello di Vibio. Your workshop package is all-inclusive\, providing welcome and departure services and airport transfer from the Rome Fiumicino\, Leonardo Da Vinci Airport (FCO). Aboard our comfortable private bus\, single occupancy accommodations with shared bath (a wide range of upgrades with private bath are available)\, 3 meals per day Monday-Thursday\, Prosecco brunch and dinner on Saturday and Sunday (no meals are served on Friday\, our excursion day. Your workshop includes one excursion per week and many additional options are available on weekends for an additional fee. Of course\, 24/7 access to facilities and 24/7 bi-lingual support are provided. \n
URL:https://icaitaly.ocglabs.com/event/staging-the-narrative-with-kirsten-stingle/
LOCATION:International Center For The Arts\, Monte Castello di Vibio\, Umbria\, 06057\, Italy
CATEGORIES:Clay Studio: Ceramics,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270523
DTEND;VALUE=DATE:20270531
DTSTAMP:20260415T185414
CREATED:20250626T123139Z
LAST-MODIFIED:20251124T164129Z
UID:10000270-1811030400-1811721599@icaitaly.ocglabs.com
SUMMARY:Urban Sketching in Italy with Taria Dawson
DESCRIPTION:Join me for a relaxed and inspiring travel sketching workshop in the heart of one of Italy’s most beautiful villages. Using ink and watercolour\, we’ll capture the timeless charm of Monte Castello’s medieval streets\, sun-drenched piazzas\, and sweeping Umbrian landscapes. My workshops focus on simplifying complex scenes\, finding your personal sketching voice\, and embracing the imperfections of on-location sketching. \nParticipants will work with portable materials — pens\, travel watercolour sets\, and sketchbooks — ideal for capturing moments on the move. Monte Castello’s unique\, car-free setting means we can sketch in peace\, surrounded by ancient stone buildings\, flower-draped balconies\, and panoramic views without the interruption of traffic. It’s a dream location for artists and travellers alike\, offering endless inspiration at every turn. Whether you're new to sketching or an experienced artist\, this is your chance to slow down\, observe deeply\, and sketch your adventures. \nMaterials for the course will be available in the ICA Art Supply store in Monte Castello\, but if you prefer to bring them from home\, you will need: pencil (B or 2B)\, eraser\, pen with waterproof ink (fineliners are a good option: 0.3\, 0.5\, 0.8 by brands such as UniPin\, Micron\, Copic\, etc)\, watercolour brushes: one large (#10 round) and one small (#4 round or 1/4inch dagger)\, watercolour sketchbook (at least 200gsm\, 300gsm preferred)\, watercolour set (12 colours is fine\, artist grade preferred – St Petersburg White Nights\, Rosa Gallery\, Roman Szmal\, Royal Talens Van Gogh (higher end student grade)\, Daniel Smith\, Winsor Newton are all good brands and variety of price points)\, pot for water\, cloth to wipe brush. \nParticipants will be housed in the remarkably well-preserved Umbrian hill town of Monte Castello di Vibio. Your workshoppackage is all-inclusive\, providing welcome and departure services and airport transfer from the Rome Fiumicino\, Leonardo Da Vinci Airport (FCO) aboard our comfortable private bus\, single occupancy accommodations with shared bath (a wide range of upgrades with private bath are available)\, 3 meals per day Monday-Thursday\, Prosecco brunch and dinner on Saturday and Sunday (no meals are served on Friday\, our excursion day. Your workshop includes one excursion per week and many additional options are available on weekends for an additional fee. Of course\, 24/7 access to facilities and 24/7 bi-lingual support. \n \n \n
URL:https://icaitaly.ocglabs.com/event/urban-sketching-in-italy-with-taria-dawson/
LOCATION:International Center For The Arts\, Monte Castello di Vibio\, Umbria\, 06057\, Italy
CATEGORIES:Visual Arts,Workshops
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20270704
DTEND;VALUE=DATE:20270719
DTSTAMP:20260415T185414
CREATED:20241003T105412Z
LAST-MODIFIED:20251115T143105Z
UID:10000243-1814659200-1815955199@icaitaly.ocglabs.com
SUMMARY:Large-Scale Ceramic Building Techniques with Trey Hill
DESCRIPTION: \n \nJoin us in Italy for an inspiring workshop focused on building large-scale clay sculptures. This unique experience encourages experimentation in a safe\, inclusive studio environment\, allowing participants to push their technical boundaries without the pressure of keeping their work. We’ll troubleshoot technical issues together\, fostering a spirit of collaboration and growth. In addition to hands-on building\, you’ll spend a day in Florence\, surrounded by iconic sculptures that showcase technical excellence. This immersive experience will not only expand your skills but also deepen your appreciation for large-scale art. We’ll also hold glaze and finishing demos featuring Trey’s under-glazing techniques as well as other surfaces for finishing sculpture. Participants are encouraged to bring small bisque ware pieces to glaze and finish. Don’t miss this opportunity to enhance your craft while exploring the beauty of Italy! \nParticipants will be housed in the remarkably well-preserved Umbrian hill town of Monte Castello di Vibio. Your workshop package is all-inclusive\, providing welcome and departure services and airport transfer from the Rome Fiumicino\, Leonardo Da Vinci Airport (FCO). Aboard our comfortable private bus\, single occupancy accommodations with shared bath (a wide range of upgrades with private bath are available)\, 3 meals per day Monday-Thursday\, Prosecco brunch and dinner on Saturday and Sunday (no meals are served on Friday\, our excursion day. Your workshop includes one excursion per week and many additional options are available on weekends for an additional fee. Of course\, 24/7 access to facilities and 24/7 bi-lingual support are provided. \nEarly Bird Workshop Special: Register and pay in full before December 22\, 2025 and save 10%! Just use Discount code: zejzwzeg when registering.
URL:https://icaitaly.ocglabs.com/event/trey-hill-italy/
LOCATION:International Center For The Arts\, Monte Castello di Vibio\, Umbria\, 06057\, Italy
CATEGORIES:Clay Studio: Ceramics,Workshops
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END:VCALENDAR